Today I am grateful that I stopped a resurgence of panic paralysis at work. I thought about something my career coach told me: think about how you want to show up to this meeting. I didn’t have a serious meeting, but I thought about how I wanted to show up to my colleagues. I didn’t want to show up panicked. I wanted to show up creative and composed. So I tried to be that way. I am not sure I was particularly creative or composed, but the effort distracted me from the panic. I am going to try this the next time I’m in a situation that triggers my secondary infertility sadness. How do I want to show up, to others, to my family? Happy, grateful, not in my own head. It doesn’t matter if I achieve that — if the effort displaces the bad feelings, that will be enough. I realize that this is not a particularly original coping mechanism, but something about this formulation speaks to me. I don’t like the idea of faking it — I do that already and it just encourages the sadness to rage. I do (usually) like the idea of making an effort.
In response to my post about 38 dresses, the always wise and crafty sister told me to do a once-a-week rummage in the closet archive. Tomorrow I will debut my first attempt:
(I love how kooky this looks on the floor, especially the scrawny, barely visible tights-legs, which look like the same color as the carpet, and the huge foreshortened boots.) The little-worn but long-held item in this ensemble is the skirt. I’m glad the photo shows the subtle herringbone pattern and the intentionally frayed hem. The front of the skirt ends at the little bit of black lace detail — what you see below it in the photo is actually the inside of the back.
Why I don’t wear it: I last wore this skirt to work more than two years ago, with a white t-shirt, black cardigan, pearls, and pumps. I remember it because the outfit felt like a costume, like it was 1950s dress-up day. Or, to be honest, “dress like you did on a good day in high school dress-up day,” because that’s how I dressed in high school — not 1950s ironic, but 1980s matronly-before-my-time. One of my high school nicknames was June Cleaver, which I’d forgotten until I started writing this post. (My first date in college was a blind date with a boy named Ward. I’m not joking. I recall nothing else of the date.) The cut isn’t perfect, either. You can’t tell in the photo, but the waistband is only about 1/2 an inch (if that), and I look best in skirts with thicker waistbands — a two-inch or so waistband fools the observer’s eye into thinking I in fact have a waist.
Why I still have it: It’s too useful to give away. I do occasionally wear the skirt to synagogue, especially on holidays, because it’s appropriate for that, and it’s pretty. I like the subtle details. I’ve had this skirt for almost 10 years, and I’d miss seeing it in my closet.
What might save it: The red sweater and the beat-up boots. Red and gray is one of my favorite sartorial combinations — so why haven’t I worn this red sweater with this skirt before? The boots contradict the rest of the outfit enough to keep me from feeling like…June Cleaver. If I like this when I wear it tomorrow, I’ll try this skirt with a red t-shirt when the weather warms up — not sure what the shoes would be, though. All my casual sandals would look wrong — like terrible mistakes rather than witty twists. So I may wear tidy and prim shoes, but a rougher top, like my denim shirt.
This was fun. Thanks, sister, for inspiring me as you do in so many other ways.